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LaToya Ruby Frazier
this project originates from an analysis of sculptor John Quincy Adams Ward’s The Freedman (1863)
Yayoi Kusama dreamed of becoming an artist
in addition to exploring the artist’s relationship to experimental queer cinema
Wes Anderson: The Archives beads LaToya Ruby FrazierAn archive is always a time machine, but the archives of Wes Anderson take us on a journey not just through time, but through layers of stories and the experiences of storytellingon paper and on film. This volume chronicles these stories with a deep dive into Anderson's personal archive, celebrating his 30 plus years in cinema. From the start of his career, he has maintained a rich library of notebooks, drawings, paintings, Polaroids, props, puppets,
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