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shepherds and flocks
72 x 47 inches
‘Best Western’
I then began to dabble with all sorts of mediums
All Good Things horizontal shepherds and flocksDetails About Oil, Turpentine, and Hand Sanitizer on Canvas 24 x 24 in. 2016 Brian Donnellys portraiture deconstructs the dialogue between the audience and objects by experimenting with the fragile nature of artwork. Faces deteriorate, separate, and occasionally combust in his work, redefining it as transitional rather than perpetual. Presenting fading memories instead of permanent effigies Donnelly draws a parallel between the fragility of artwork
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