Still Life by Paul DiBert (1930 2009) A trompe l'oeil still life painter, Paul DiBert hearkens back to the traditional values of his French Huguenot Pennsylvania ancestors with his paintings focused on values of light and dark and precise depictions of everyday objects. Early in his career he did a variety of subjects but ultimately focused primarily on still life because, with his introverted"> Still Life by Paul DiBert (1930 2009) A trompe l'oeil still life painter, Paul DiBert hearkens back to the traditional values of his French Huguenot Pennsylvania ancestors with his paintings focused on values of light and dark and precise depictions of everyday objects. Early in his career he did a variety of subjects but ultimately focused primarily on still life because, with his introverted"> Still Life by Paul DiBert (1930 2009) A trompe l'oeil still life painter, Paul DiBert hearkens back to the traditional values of his French Huguenot Pennsylvania ancestors with his paintings focused on values of light and dark and precise depictions of everyday objects. Early in his career he did a variety of subjects but ultimately focused primarily on still life because, with his introverted"> Paul DiBert (1930-2009) Trompe l'oeil still life, Utah, California Oil Painting home & garden this framed pencil on paper – jugend-im-mittelpunkt.de
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Paul DiBert (1930-2009) Trompe l'oeil still life, Utah, California Oil Painting home & garden this framed pencil on paper

SKU: 76576804703

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USD535.00 USD569.00

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Description

this framed pencil on paper artwork is in fine age related condition with some light markings to frame and other minor signs of age related wear

4 inches in length

Lori Blumka Revere

He became the prime minister of Prussia (1862–73

Paul DiBert (1930-2009) Trompe l'oeil still life, Utah, California Oil Painting home & garden this framed pencil on paperdata exclude css removal="true" style="display: none;"> Still Life by Paul DiBert (1930 2009) A trompe l'oeil still life painter, Paul DiBert hearkens back to the traditional values of his French Huguenot Pennsylvania ancestors with his paintings focused on values of light and dark and precise depictions of everyday objects. Early in his career he did a variety of subjects but ultimately focused primarily on still life because, with his introverted

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